Visitor’s Guide to Mantua’s Spectacular Te Palace

If you’re planning to visit the hidden gem town of Mantua in northern Italy, make sure to check out the spectacular Te Palace. Considered one of the world’s most unique and beautiful buildings, it’s a wildly inventive and theatrical feat of both architecture and decoration. This ultimate guide will help you plan your visit.

the "backyard" of the Te Palace
the “backyard” of Te Palace

Te Palace was designed and built by Giulio Romano, the best pupil of Raphael, between 1525-35. Art lovers must visit this palace, as it is an extraordinary masterpiece.

The palace is situated on a small island connected to the Mantua mainland via a bridge. It has a low-slung geometric structure built around a square courtyard, which gives the illusion of being a massive complex.

Pinterest pin for guide to Te Palace
Pinterest pin for guide to Te Palace

Te Palace is all about love. Or lust. It was the bling-y summer palace of the Gonzaga family. It was intended to convey the authority of the Gonzaga and exalt Federico and his heirs as divine rulers, virile lovers, and powerful leaders.

Frederico II Gonzaga

Frederico II was the pleasure loving son of Isabella d’Este. She was an influential art collector and influencer in her own right. Frederico was born in 1500. He was the fifth marquise and later Duke of Mantua.

Originally a land owning gentry, the shrewd Gonzaga seized power in the 14th century. Over time, the Gonzaga received honorifics from the Holy Roman emperors that catapulted them to lords, marquises, cardinals, and dukes.

Titian, Portrait of Frederico II Gonzaga, 1529
Titian, Portrait of Frederico II Gonzaga, 1529

Frederico was inculcated in Renaissance ideals during a sojourn in Rome in the court of Pope Julius II. Julius II was the pope who ordered Michelangelo to paint his otherworldly frescos in the Sistine Chapel of the Vatican Museums.

Frederico took back Renaissance ideals and culture to Mantua. He wanted to recreate the relationship his grandfather had with court artist Andrea Mantegna from Padua. Mantagna’s masterpiece is in Mantua’s Ducale Palace — the Camera degli Sposi.

To make his dream come alive, Frederico brought an artist back from Rome. That artist was the most gifted student of the revered Raphael, Giulio Romano.

central fresco on the ceiling of the Hall of Cupid and Psyche
central fresco on the ceiling of the Hall of Cupid and Psyche

Raphael was then well known for his erotic paintings in the Villa Farnesina, which was the first Renaissance pleasure palace or suburban villa. The purpose of these out-of-the-way villas was pure hedonism for wealthy aristocrats.

READ: Complete Guide To the Villa Farnesina

Overview and History of Te Palace

In 1524, Frederico and Romano embarked on building Te Palace. Romano served as the global artistic director. He designed everything from the architecture, rooms, and frescos. The palace became famous throughout Europe.

Te Palace is an example of Mannerist architecture. Mannerism is a sort of sub-category of the High Renaissance. In a jazz-like fashion, Mannerist architects and artists intentionally broke the rules of classical art and architecture. Their innovations led to the Baroque period.

scene in the Chamber of the Winds
scene in the Chamber of the Winds

Te Palace was built with stucco over brick. It has a rusticated textured surface, a characteristic of the period and many palaces in Florence. There are Doric order columns with broken pediments. The arches have oversized keystones. Every facade is slightly (and irrationally) different.

Frederico used Te Palace as an escape pad — to get away from his wife, his mother, and the restricted court life of Mantua’s Ducal Palace. It was a private retreat from court life, where he could indulge his obsessions and enthusiasms.

The boy had a thing for horses, sex, love, and astrology. Frederico fancied himself a Renaissance era Dionysis type. In Te Palace, he let his fancy run wild, blinging up the palace with sybaritic tongue-in-cheek frescos. Every detail was designed to delight the viewer.

Perhaps it’s not surprising the Frederico died of syphillis at just age 40.

Loggia of the Muse in the Te Palace
Loggia of the Muse, with oversized keystones

Guide To Te Palace: What To See

Here’s the rundown on everything you need to see at Te Palace.

1. Loggia of the Muse

From the courtyard, you enter into the Loggia of the Muse, the official entrance. It connects the northern facade to the Cour d’Honneur (courtyard).

The loggia is a hallway dedicated to the muses — the goddesses of art, literature, and science. They’re frescoed in pale colors in the bas reliefs of the vaults and in the lunettes.

One muse represents Mantua, lying near a fountain topped with a crown of laurels. It refers to the poet Virgil.

The ceiling is decorated with a geometrical pattern of the images, some of which depict sphinxes. The images are a reference to the Greco-Roman culture that inspired Renaissance artists.

Using the trompe l’oeil technique, Romano eschewed the cool classicism of the past. Instead, he used wildly distorted perspectives, a pastel color palette, and esoteric symbols.

ceiling fresco in the Chamber of the Sun and Moon
ceiling fresco in the Chamber of the Sun and Moon

2. Chamber of the Sun and Moon

The walls of the Chamber of the Sun and Moon feature a series of 18th century stuccoes that imitate the decorations of classical sarcophaguses. The walls also echo details of decorations in other chambers.

The walls are decorated with a baby blue grid containing 192 individual frames. The frames contain stucco figures of mythical animals from the 16th century.

Look up and you see Romano’s Sun Chariot fresco. It’s an impressive illusionistic fresco. The figures look like they’re standing on a plate of glass. You look right up into the private parts of the charioteer. The back sides of his horses are also in view.

frescos in the Hall of Eagles, Frederico's bedroom
frescos in the Hall of Eagles, Frederico’s bedroom

3. Hall of Eagles

The Hall of the Eagles is Frederico’s bedroom. The ceiling hangs like a canopy. Lunette curves encrusted with seashells frame paintings of classical stories.

The decoration is quite extraordinary. The mythological frescoes are by Primaticcio. The depiction of battles on each side imbues the bedroom with a sense of movement.

The marble of the fireplace is also very refined. The marble of the doors is the same used for the Holy Door in Rome, which represents Jesus and the Good Shepard.

Aside from these spaces, there are three absolutely must see rooms in Te Palace. They’re filled with lavish, almost mind-blowing, Mannerist frescos executed by Romano in 1525-35.

the wedding banquet in the Hall of Cupid and Psyche
the wedding banquet in the Hall of Cupid and Psyche

4. Sala of Psyche | Hall of Cupid and Psyche

The Hall of Cupid and Psyche is the palace’s most opulent room. It’s filled with erotic paintings bordering on debauchery. Not coincidentally, the fleshy frescos were close to Frederico’s bedroom, perhaps mirroring the seduction inside.

The licentious frescos depict Cupid and Psyche and the theme of their forbidden and tormented love. This was the theme of Rome’s Villa Farnesina as well.

The story dominates the entirety of the ceiling and the upper portion of the walls. On the ceiling, within wood frames, you see rather dark images in a tenebrist style.

The story goes like this. Psyche was the beautiful daughter of a king worshipped by men. Her looks aggrieved the jealous goddess of love Venus. Venus decided to have Psyche marry the most venal man in the world. She dispatches her son Cupid to pull his arrow and trap Psyche.

ceiling of the Hall of Cupid and Psyche
ceiling of the Hall of Cupid and Psyche

Unfortunately for Venus, Cupid was also smitten with Psyche. But Cupid forbids her to look upon him, to avoid being outed as a real god. When Venus disobeys him, Cupid flees.

Poor Psyche then has to perform a series of near impossible tasks to satisfy a vengeful Venus. When Cupid can bear Psyche’s torture no longer, he pleads their case to a council of gods.

The gods grant Cupid’s wish. Psyche becomes immortal. The happy couple are married in heaven. And everyone lives happily ever after.

The mythological pair are a stand in for the forbidden love of Frederico and his mistress (also named) Isabella. They show man’s struggle to rise above human weakness and be transformed into a transcendent deity.

a giant holding a rather phallic club
a giant holding a rather phallic club — Renaissance testosterone run amuck
graphic scene of  a serpent-Zeus ravishing Olympia
graphic scene of a serpent-Zeus ravishing Olympia

The figures and gods cavort and flirt with abandon. There’s the elaborate wedding of Cupid and Psyche and nude women being led away for a romp. The marriage scene is a reference to the oculus in Mantagna’s Camera degli Sposi.

Then, you look at the walls. They are very explicit, almost obscene. The figures are naked, not nude. This isn’t Ancient Greek statues. The picture of Venus and Mars at their Bath is a rather lurid example.

When you turn the corner, it gets kinkier with a scene of beastly love. You see Zeus taking the form of a serpent about to ravish Olympia. There’s a river god fornicating with a swan.

In another scene Plyphemus holds a phallic club. Next to that is a scene of Parsiphae, who falls in love with a bull. The result of this relationship was the Minator. Frederico expected his hand picked elite guests to be well versed in mythological legends.

Hall of the Horses
Hall of the Horses

5. Sala dei Cavalli | Hall of the Horses

The Sala dei Cavalli, or Hall of the Horses, is the Gonzaga banquet hall. It’s the largest room in the palace.

The illusionistic architectural elements frescoed on the walls give you the feeling of being inside a giant loggia. Within the niches are fake painted bronzes depicting the labors of Hercules.

The Hall of the Horses is where the Gonzaga wined and dined their guests, followed by dancing. The hall is decorated with paintings of the Gonzaga’s favorite prize-winning horses, who raced all over Europe.

The images of the horses are an homage. They’re actual portraits of the Gonzaga horses, not from Romano’s imagination. Their names are even there. It’s very unique. Patrons didn’t usually employ famous artists like Romano to paint horses.

Hercules between two Gonzaga horses
Hercules between two Gonzaga horses

Gray and brown horses stand in profile, looking almost 3D. They’re almost life size, set against faux marble walls and landscapes. The horses are at rest, yet seem alive.

The wood ceiling is a hand carved and gilded coffered ceiling. It’s divided into a series of squares, enclosed by geometrical and vegetal motifs.

Inside the squares is a repeated motif of a gold salamander. The translation of the motto was “what this thing lacks, torments me.” The salamander lacks heat, which Frederico II obviously had in spades.

The Hall of Horses was featured in the Netflix series The Medici. It was, as I recall, a stand in for a palace in Milan.

the magnificent ceiling of the Hall of Giants, one of the best things to see at Te Palace
the magnificent ceiling of the Hall of Giants

6. Sala dei Giganti | Hall of the Giants

The staggering Salle dei Giganti, Hall of the Giants, is Palazzo Te’s grand finale. It’s an extraordinary space. Every inch of the famous grotto-like hall is decorated with colossal scale figures. It’s almost an alternative Renaissance virtual reality.

Once you’re inside and the doors are shut, you become merged with the painting. You can’t see where one wall begins and the other ends. Above the door, a large giant rests his hand on a stone above the door lintel.

In this fantastical fresco cycle, Romano portrays the fall of the titans. It’s a disaster story from Ovid’s Metamorphosis. Polyphemus and his ugly comic-book face giants dare to climb Mount Olympus.

a giant sits right above the doorway when you enter
a giant sits right above the doorway when you enter
giants being crushed
giants being crushed

The gods take revenge on Polyphemus and his giant beings. Jupiter and other gods destroy the giants for committing such a heinous and feckless sin.

You can see the columns (the same as in the courtyard) collapse and come crashing down on them. You may feel like you’re about to be crushed.

In what seems like a storm, the gods fling down pillars and lightening bolts. Buildings topple. The giants cringe and scream at their terrible fate. The frescos are pulsating, powerful, and rhythmic.

In person, the Te Palace frescos are akin to visiting the Sistine Chapel in the Vatican Museums.

Chamber of the Wind
Chamber of the Wind

7. Chamber of the Winds

The Chamber of Winds is a relatively small space. In it, a fast paced narration illustrates how the destiny of men is influenced by the Gods and Astrology. The twelve zodiac signs are depicted via their symbols.

For example, a fishermen captures monsters from the bottom of the sea. The chamber has the feel of a grotto. The message is that humankind is in the hands of celestial powers.

Practical Guide & Tips for Visiting Te Palace in Mantua:

Address: Viale Te, 13, 46100 Mantova MN, Italy

Hours: Tuesday through Sunday 9:00 am to 7:30 pm (summer). Monday 1:00 pm to 7:30. In winter, the palace closes one hour earlier.

Tickets: 12

Pro tip: Some of the rooms are off limits to those under 18. The palace isn’t that big. You should plan on 1-2 hours.


Camera delle Imprese
Camera delle Imprese

I hope you’ve enjoyed my guide to Te Palace pin Mantua. You may enjoy these Italy travel guides and resources:

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